Thanksgiving Time Resources at SUNY Broome

The Historical Atlas of New York City, second edition, takes us, neighborhood by neighborhood, through four hundred years of Gotham's rich past, describing such crucial events as the city's initial settlement of 270 people in thirty log houses; John Jacob Astor's meteoric rise from humble fur trader to the richest, most powerful man in the city; and the fascinating ethnic mixture that is modern Queens. The full-color maps, charts, photographs, drawings, and mini-essays of this encyclopedic volume also trace the historical development and cultural relevance of such iconic New York thoroughfares as Fifth Avenue, Wall Street, Park Avenue, and Broadway. This thoroughly updated edition brings the Atlas up to the present, including three all-new two-page spreads on Rudolph Giuliani's New York, the revival of Forty-second Street, and the rebuilding of Ground Zero. A fascinating chronicle of the life of a metropolis, the handsome second edition ofThe Historical Atlas of New York City provides a vivid and unique perspective on the nation's cultural capital.

"Under the teeming metropolis that is present-day New York City lie the buried remains of long-lost worlds. The remnants of nineteenth-century New York reveal much about its inhabitants and neighborhoods, from fashionable Washington Square to the notorious Five Points. Underneath are traces of the Dutch and English colonists who arrived in the area in the seventeenth century, as well as of the Africans they enslaved. And beneath all these layers is the land that Native Americans occupied for hundreds of generations from their first arrival eleven thousand years ago. Now two distinguished archaeologists draw on the results of more than a century of excavations to relate the interconnected stories of these different peoples who shared and shaped the land that makes up the modern city."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Magnet for the ambitious, lodestone for talented and oppressed alike, Mecca for businessmen and immigrants, New York City has presided for over 350 years as the critical center of American life. From its origins as a primitive Dutch outpost to the sprawling urban complex it is today, the defining characteristic of New York has been continuous, dramatic, and rapid change. Historian George J. Lankevich's volume concentrates on political and economic affairs, illustrating how New York has always combined principle and pragmatism in its role as pace-setter in business communications, education, urban policy, and cultural life. American Metropolis is loosely divided into three historical epochs, each spanning roughly one of the last three centuries. In its early years, New York was defined by trial and tribulation; wars, fires, rebellions, and revolution were guiding influences on the colonial port. Nineteenth-century New York history was dominated by heroic figures in the form of bosses, reformers, merchant princes and statesmen, by enormous population increases, and by the achievement of commercial, financial, and cultural supremacy. For much of the twentieth century, greater New York, plagued by crime, white flight, fiscal trauma, and decay, embodied the nation's urban crisis. Its current Renaissance stands as fresh testimony to its characteristic vitality and resilience.

The marvelous story of the Flatiron: the instantly recognizable building that signaled the start of a new era in New York history. Critics hated it. The public feared it would topple over. Passersby were knocked down by the winds. But even before it was completed, the Flatiron Building had become an unforgettable part of New York City. The Flatiron Building was built by the Chicago-based Fuller Company--a group founded by George Fuller, "the father of the skyscraper"--to be their New York headquarters. The company's president, Harry Black, was never able to make the public call the Flatiron the Fuller Building, however. Black's was the country's largest real estate firm, constructing Macy's department store, and soon after the Plaza Hotel, the Savoy Hotel, and many other iconic buildings in New York as well as in other cities across the country. With an ostentatious lifestyle that drew constant media scrutiny, Black made a fortune only to meet a tragic, untimely end. InThe Flatiron, Alice Sparberg Alexiou chronicles not just the story of the building but the heady times in New York at the dawn of the twentieth century.

At The Plaza is a pictorial record and an anecdotal history of the world's most famous hotel: New York's Plaza. As a story, it traverses the breadth and scope of Gotham's high society during the American Century. As a photo collection, it's like no other, capturing the hotel's remarkable presence on the ever-changing New York scene. For almost one hundred years, The Plaza has mirrored the social history of Manhattan: its tastes in design, entertainment, restaurants and accommodations, as well as its adjustment to Prohibition, the Great Depression, two World Wars, the Cold War, women's rights, smokers' rights, animals' rights and British rock-and-roll. The first guests to sign the register-Mr. and Mrs. Alfred Gwynne Vanderbilt-set the standard for the long procession of luminaries that followed: Mark Twain, Diamond JimBrady, Scott and Zelda Fitzgerald, Marlene Dietrich, Frank Lloyd Wright, Marilyn Monroe, Jacqueline Kennedy Onassis and the Beatles, among many others. InAt The Plaza, the hotel's official historian has compiled a tremendous collection of photographs and vignettes chronicling the colorful history of a building, an institution, and a city.

This updated edition of one of the bestselling and most comprehensive Broadway reference books first published in 1985 has been expanded to include many of the most important and memorable productions of American musical theater including revivals. Chronologically arranged beginning with ÊThe Black CrookÊ in 1866 the eighth edition adds new entries and photos on numerous musicals from recent years including ÊPriscilla Queen of the DesertÊ; ÊThe Book of MormonÊ; ÊSpider-Man: Turn Off the DarkÊ; ÊOnceÊ; ÊNewsies: The MusicalÊ; ÊAnnieÊ (revival); ÊRodgers & Hammerstein's CinderellaÊ; ÊKinky BootsÊ; ÊA Night with Janis JoplinÊ; and ÊA Gentleman's Guide to Love and MurderÊ.ÞÊBroadway Musicals Show-by-ShowÊ features a wealth of statistics and inside information plus critical reception cast lists pithy commentary about each show and numerous detailed indexes that no Broadway fan will want to be without.

Broadway. The very word is magical, conjuring up lush melodies, exhilarating dances, and star-making performances. From the first American musical theater production in the late nineteenth century to the newest Broadway show, Song and Dance: The Musicals of Broadway offers a compelling look at the influences that have shaped musical theater. Each theatrical period is covered in illuminating detail, and representative musicals and performers from every era are brought to life with a lively, knowledgeable discussion of the creation, trials, and successes of each show. -- Filled with posters, playbills, and photographs of the people who brought each musical to life -- Each show has a special box that lists the creators, cast members, and performance run of the original production -- The author's wit, insight, and deep love of musical theater make this volume a must-have for every Broadway fan

Plot summaries of principal productions accompany over one hundred fifty photographs that capture the glitter and glamour of Show Boat, South Pacific, West Side Story, Fiddler on the Roof, A Chorus Line, Carmelina, and other hit musicals

Bob Fosse (1927-1987) is recognized as one of the most significant figures in post-World War II American musical theater. With his first Broadway musical, The Pajama Game in 1954, the "Fosse style" was already fully developed, with its trademark hunched shoulders, turned-in stance, and stuttering, staccato jazz movements. Fosse moved decisively into the role of director with Redhead in 1959 and was a key figure in the rise of the director-choreographer in the Broadway musical. He also became the only star director of musicals of his era--a group that included Jerome Robbins, Gower Champion, Michael Kidd, and Harold Prince--to equal his Broadway success in films. Following his unprecedented triple crown of show business awards in 1973 (an Oscar for Cabaret, Emmy for Liza with a Z, and Tony for Pippin), Fosse assumed complete control of virtually every element of his projects. But when at last he had achieved complete autonomy, his final efforts, the film Star 80 and the musical Big Deal, written and directed by Fosse, were rejected by audiences and critics. A fascinating look at the evolution of Fosse as choreographer and director, Big Deal: Bob Fosse and Dance in the American Musical considers Fosse's career in the context of changes in the Broadway musical theater over four decades.

Interwoven with such classics as Cinderella, Jack and the Beanstalk, and Little Red Ridinghood, is the story of the baker and his wife, whose longing for a child is thwarted by a mischievous witch who lives next door.

Macy's The Store. The Star. The Story traces a hundred and fifty years of one of the country's premier retailers. More than just the account of a successful business, it is the story of how one man's dream found a home in the heart of Manhattan. Lively text, rare photographs, and colorful illustrations highlight the people and events--the trends, tragedies, and traditions--that transformed Macy's from a modest storefront into the World's Largest Store.